Falling Skies emphasizes the importance of fathers

There may be some spoilers in this blog post. >,<

Three months of in-world time has passed between last season and the start of this one. First off, I love the alien invasion story of Falling Skies, and I was glued to my seat last night for the two-hour season two premiere. If you are a fan of dystopian apocalyptics, then you might want to give this science-fiction drama a try. It has all the elements. People overcoming huge obstacles to ban together to drive aliens who have already conquered Earth back into space, cute boys and girls (there are no fat people in this show and everyone is in shape despite the scarcity of food resources), and computer generated effects galore. The fact that everyone is gorgeous doesn't bother me. I'm pretty much used to it and have grown to accept/expect it in my television.

Drew Roy plays Hal Mason in Falling Skies.

But behind all the glitz of the show's significant budget, good writing, and eye candy, there are solid themes of fatherhood. Noah Wylie plays Tom and the most important thing to him in the world are his three sons. And it's just refreshing for me to see a single dad portrayed in such a good light. On top of that he's an exceptional former school teacher, so he's really smart, reads, and is constantly teaching his sons how to grow into good men with strong moral compasses. The other thing that I appreciate about the show is that it steers clear of religion for the most part. People are conquering their own fears and their insecurities through love, companionship, and dealing with the situations without resorting to on-screen prayer to alleviate despair.

Ben Mason teaching Matt Mason (his little brother) how to shoot skitters (aliens) so that he can defend
himself. I really like Ben Mason. He's probably the most interesting character right now outside of Tom. He's
kind of become a super warrior because he has alien DNA or something inside of him now. He can run
marathons without tiring, can hear and see things no one else can, and is really strong--like the kind
that can bench press a Toyota truck.

They've also borrowed a page from H.R. Geiger and the Alien franchise by using creepy body invasion. The alien conquerors control human children with biological harnesses and then last night, we saw the doctor pull a weird worm thing out of Tom's eye that later turned into a metal ball bearing and later still, a butterfly with teeth sharp enough to cut glass.

I really need to add this button to my sidebar. It's just too cool.

So if you are a fan of science-fiction, join the saga of the 2nd Mass (Second Massachusetts) as they resist the invaders from another world. It's on TNT on Sunday's this summer. I'm so glad I have a DVR so that I can record True Blood (which shows at the same time).

Questions I want answered this season:

1) What's up with Ben? Is he ever going to be truly safe from the aliens?

2) What did the aliens do to Tom? They really screwed him up. Did they put more of those worms in his body?

3) What does the flying butterfly worm thing do aside from cut glass?

4) Why did they let all the people go at th same time as Tom by just dropping them off in a field? Then they massacred them while Tom walked off? It's clear that they did not value the other humans at all, but put extreme value on Tom. I'm thinking it has something to do with his son Ben. It also seemed like they wanted Tom to see that they spared him.

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Prometheus Review With Spoilers

This is a picture of Shaw's baby (the tentacled monster) taking out the lone
 space jockey on the planet that the crew awoke from a 2000 year-old hyper sleep.
 When the space jockey woke up, he was pissed and started killing everyone.
There was no explanation. He shares the same genetic code as a human, but
 clearly was very unhappy that humans had landed on the planet and had
 one thing in mind: pilot a ship filled with biological weapons to destroy Earth. Shaw
stopped him and basically opened a door that had the monster tentacled creature
 behind it that grabbed the space jockey that would have killed her. This was the biggest
face-hugger I have ever seen. It was really impressive.

Well I saw Prometheus at the midnight showing last Thursday, and I absolutely loved it. Here are the elements that fired my imagination:

1) The 3D was stunning. It wasn't too dark or too light, and it didn't feel like they were purposely going out of their way to make trick shots for a 3D audience. This is definitely a "big screen" film, and I feel that if you are a fan of these movies, you definitely want to invest the money to see it in IMAX if you can.

2) Michael Fassbender as David was the most interesting android ever. There are parts where he is on the spaceship, engaging in sports by himself to clearly wile away the time and then he also emulates Peter O'Toole's character in Lawrence of Arabia (by the way Fassbender looks a lot like a young Peter O'Toole, and I had previously not noticed this connection). Anyway, why would an android need to use old movies and sports to entertain himself unless he was bored? And this begs another question...can computers be bored? I have no idea. But it's an intriguing concept. Roger Ebert pointed out in his review that Peter Weyland referred to David as the "son I never had". Charlize Theron plays the daughter of Peter Weyland and there was definitely sibling rivalry there as well as a startling physical appearance (both blond, both tall, etc.). But Peter Weyland strips David of humanity by declaring him soulless. Is this statement true though? I don't know.

3) The concept of parents. David the android says in one scene that "all children secretly want their parents to die". I thought this was fascinating that someone would even say this. I for one don't want my parents to die. I kind of feel that having my parents die will be the thing that makes me really aware of my mortality--that I too can and will die. And I kind of wonder if David said this because he's essentially immortal and wants to know what it will feel like to die and doesn't believe he can do so UNLESS the ones who created him perish.

Additionally, in Prometheus, one of the characters named Shaw is obsessed with finding an explanation of "where do humans come from?" She's Christian in the movie, which suggests to me that she already has an answer. So why then is she doing all of this searching? Does she want proof? Is belief not enough for her? Maybe there is something to the statement "All fanatics hide a secret doubt". What do you think?

Basically, I see Shaw's quest as a search for parentage of some kind and when she finds it, the parents are not what she was expecting. In fact, they're pretty terrifying. Physically, the "space jockeys" look like the most muscular humans on earth, only half again as tall. Take the offspring of NFL superstars like Eli Manning and Tom Brady and couple that genetic code with really tall supermodels for about three hundred years and then smack that offspring with an ugly stick, and you'd probably end up with a space jockey. So really...not all that far-fetched.

And the gist of Prometheus is that this "super race" created humans (basically destroying all of her beliefs in one fell blow) and to top it off, they're jerks. They offer no explanation for what they did, and it looks like they changed their mind about humanity. In other words, the stuff on the world that the Prometheus visits is a biological weapon. The alien xenomorph is a creation manufactured in a lab somewhere and meant to deploy against the human race to wipe us out. But why?

4) The unanswered questions. The end of the show has Shaw zooming off in a space jockey ship with David along for the ride and she isn't going back to Earth. She's going for the Engineer's (space jockey) homeworld. But what does she hope to find there? They clearly wanted humans dead. However, it's been 2000 years since the engineers on this world were in touch with their core civilization. Did something happen to them? Did they get wiped out by their own biological weapons? Or maybe they were designing a weapon to take out their own parents (the ones that created them).

All in all, Prometheus is the magnificent film that I was hoping for, so I'm pleased. I just hope it makes enough money to warrant a sequel. I want answers that the film didn't provide. And I would also like to see how the first Alien movie and the events in Prometheus connect. Where did the derelict spacecraft on LV-426 come from as well as the huge cargo of eggs. The end of Prometheus showed the birth of a xenomorph, but that's basically a harmless lifeform as the planet had no indigenous population really (unless the alien could learn to pilot an empty ship).

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Xenomorph

Because Prometheus is just around the corner (days are counting down) and I need to talk about something that begins with an "X", I'm choosing to write about the Alien xenomorph.

Most people who have seen the movie Alien find the xenomorph itself pretty disturbing. There is also something totally and undeniably horrifying about the derelict spacecraft in which the eggs are found. The details shown in the sketches of the book "Giger's Alien" imply that the spacecraft (that we see in the Prometheus trailer) has a design and function related to something unimaginably malignant by any human standard of the definition of "malignancy". Perhaps "malignancy" is not even the right word here. The derelict goes beyond that. It encompasses an entire system of systematic obliteration of life which goes beyond any human definition of evil. 

I think it's a good thing that this object (and creature) exists only in our fantasies. I think it would be disturbing to share the universe with a species as terrible and horrific as the one envisioned by H.R. Giger (the creator of the Xenomorph creature).

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As a writer of science-fiction, I've taken many cues from Mr. Giger in my own work. In "Slipstream" I have a god-like being who went insane when his personality split down the middle. The evil side of this god-like being wanted nothing to do with the good, law-abiding side. So much so, that it cut itself in half and replaced the human aspect of itself with machine. Horrific as that may sound, both sides of this avatar survive independently of one another. To know more, well, I hope you'll invest in my book.

Generally speaking, however, it's this sort of characteristic that's a trait of Giger's biomechanical style: I don't think there are many (intelligent) people who would like to see Giger's worlds being realized, because if such was the case, they would be in a heck of a lot of trouble. And the same goes for the dystopian world of Avalon in my book. It's been described as a dark fantasy filled with exciting and original monsters, if not a bit horrific.

But I bow to the master that is H.R. Giger. I wonder how this man (H.R. Giger) even sleeps at night, with the thoughts that must occupy his head.

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H.R. Giger's Alien movie concept art revisited in Prometheus

H.R. Giger is in my opinion, a mad genius. I own a couple of his "coffee table" art books, and they are scary stuff. I own Biomechanics, H.R. Giger's Alien, and his Necronomicon. In reading about him, I discovered that within his lifetime he has rubbed elbows with just about every major artist in the world including Ridley Scott and Salvatore Dali. He's had a girlfriend that committed suicide, is the atypical primadonna with huge demands and uncompromising work ethic, and is notoriously difficult to work with.

But his art captures my imagination the same as artist Michael Whelan (if you don't know who this is, you could google his name). Or, you could just visit my post that I wrote on Michael Whelan HERE. I also talk about him extensively on a post on general cover art featuring books by Patrick Dilloway, Cindy Borgne, and Andrew Leon. You can find that post located HERE.

In my ever growing excitement for this summer's Prometheus, I revisited the afore-mentioned H.R. Giger's Alien, and it looks like to me, from the trailers that are now available for viewing online, that Ridley Scott is revisiting the ground-breaking artwork that this crazy guy created for 20th Century Fox (that was scrapped from the 1978 film). Here are my comparisons.

First off the Alien Pyramid concept in which H.R. Giger originally wanted 20th Century Fox to use on the planet LV-426 (NOTE: You can click on these to make the picture bigger for your viewing pleasure).

Contrast this image above with the one that I pulled from the Prometheus trailer below:

And then there is H.R. Giger's Alien Heiroglyphics which also got scrapped from the original 1978 film:

Compare this with the heiroglyphic sequence that I captured from the theatrical trailer in which Michael Fassbender utters "Tell me that you can read this..."

And of course, they are still going with the original design for the derelict spacecraft, the space jockey pilot, and the interior of the ship--all of which was designed by H.R. Giger. Since the derelict spacecraft features so prominently in the trailer, I'm not including screen captures of it. But it is identical to the drawings below. Note the odd shape of the portals that lead into the derelict spacecraft from the original Alien movie. They are intentionally shaped like a vagina because H.R. Giger uses a lot of phallic symbols and vaginas in his artwork (and I mean tons).

Interesting, eh?

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